Improved Shot List

Shot 1: Low-Angle Panning shot of the surroundings, which shows the surroundings which then
CUTS TO A
Shot 2: Close Up Shot of Mary as she is walking in the pavement which then
CUTS TO A
Shot 3: High Angle Shot of Mary while she is texting on her phone which then
CUTS TO A
Shot 4: Close Up shot Mary's face, which shows that she is happy because she is talking to her boyfriend. Which then CUTS TO A
Shot 5: Over the Shoulder Shot of Mary when she is walking on the bridge. The bridge represents an inside of a Gun, like in Essex Boys when Billy was driving through the tunnel, it then
CUTS TO A
Shot 6: Worm's Eye View shot of Mary when she was calling her boyfriend on her phone, which then
CUTS TO A
Shot 7: High Angle shot of Mary seeing her boyfriend lying on the floor, the use of the High Angle Shot shows the shift of power, she was dominant at the beginning and now she's not. The scene then
CUTS TO A
Shot 8: Another High Angle shot of Mary seeing whether or not her Boyfriend is still alive. The scene then
CUTS TO A
Shot 9: Tilt Shot of a mysterious figure standing on a doorway, which shows confusion and disorientations.
The scene then CUTS TO A
Shot 10: Shot Reverse Shot between the mysterious character and Mary, revealing whether or not Mary will be killed or spared by the mysterious figure
The scene then CUTS TO A

Cliffhanger

Shot 11: Extreme Close Up Shot of Mary's eyes, showing her vulnerability or a Low Angle Shot of Mary from the mysterious figure's point of view. (The scene CUTS TO A)

Shot 12 (Only if the second option is used from Shot 11): Low Angle shot of Mary and the mysterious figure walking away, showing that there is equal power between the two characters.